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Lisa Cooper artist Cornwall Lisa Cooper artist Cornwall Lisa Cooper artist Cornwall Lisa Cooper artist Cornwall Lisa Cooper artist Cornwall Lisa Cooper artist Cornwall Lisa Cooper artist Cornwall Lisa Cooper artist Cornwall Lisa Cooper artist Cornwall
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I find the Celtic landscapes of Cornwall and Wales endlessly inspiring, in particular Cornwall's fishing villages, moorlands and waterways, and the mountains and hills of Snowdonia. The sea is always a great draw in both locations, especially on a stormy day. I am never happier than tramping coast path, in fair weather or foul, watching the shifting interplay of sea and sky, or climbing the majestic peaks of North Wales as the clouds sweep over the mountain tops. A love of gardening stimulates a parallel interest in painting plants and flowers, with my garden a continuous source of inspiration.
Working across all media, but particularly mixed media, acrylic and watercolour, I often incorporate fragments of maps, photographs and documents to heighten the sense of place in my work. I work into the collage with media including acrylics and oil pastels, using a variety of mark-making techniques and implements. I am happiest expressing myself in a fast, loose style that sometimes veers towards abstraction and captures the immediacy of my surroundings. Forthcoming exhibitions for 2024 The Camelford Gallery, Cornwall Permanent collection Rock Institute, Cornwall 26 March - 7 April 2024 Galeri Harlech, Gwynedd Permanent collection Solo exhibition 6 May - 2 June 2024 Bude Castle, Cornwall 25 May - 13 June 2024 Padstow Memorial Hall, Cornwall 15-28 June 2024 Tintagel Old School Hall, Cornwall 13 July-17 August 2024 Salthouse Gallery, St Ives, Cornwall 28 September - 4 October 2024 Padstow Memorial Hall, Cornwall 5-18 October 2024 |
I have always loved drawing and painting, and as a child would spend hours shut away in my room with a pad of paper and a set of coloured pens. I was unfortunate in having a thoroughly uninspiring Art department at my secondary school, where I was forced to make exacting pencil drawings of still life objects, while experimenting with colour and texture at home.
Freed from the strait jacket of the graphite pencil, I went on to Norwich School of Art, where I threw myself into large-scale paintings and collages and developed a particular interest in textiles. While I loved the freedom of Art School, I found it difficult to maintain my creativity for five whole days a week and realised that I missed academic study.
This was the era of Glasnost, and I became fascinated by all things Russian, in particular the country’s roller coaster of history and my own Russian heritage. Having completed my Art Foundation Course, I switched to a Russian degree at the University of Edinburgh. Bar a few life-drawing classes to ‘keep my hand in’, art stayed on the back burner for the next 15 years while I studied, travelled and subsequently settled in London to work as a journalist.
It wasn’t until I moved to Cornwall in 2003 that I returned to painting, inspired by the Cornish landscape, which drew me towards watercolour in particular, a medium that I had only lightly dabbled in before. Those early paintings were tight and controlled, but as my confidence developed, I was able to ‘let go’, enjoying the serendipity of watercolour, allowing the paint to move and blend in often unanticipated ways. I am happiest expressing myself in a fast, loose style that sometimes veers towards abstraction and captures the immediacy and movement of my surroundings.
Freed from the strait jacket of the graphite pencil, I went on to Norwich School of Art, where I threw myself into large-scale paintings and collages and developed a particular interest in textiles. While I loved the freedom of Art School, I found it difficult to maintain my creativity for five whole days a week and realised that I missed academic study.
This was the era of Glasnost, and I became fascinated by all things Russian, in particular the country’s roller coaster of history and my own Russian heritage. Having completed my Art Foundation Course, I switched to a Russian degree at the University of Edinburgh. Bar a few life-drawing classes to ‘keep my hand in’, art stayed on the back burner for the next 15 years while I studied, travelled and subsequently settled in London to work as a journalist.
It wasn’t until I moved to Cornwall in 2003 that I returned to painting, inspired by the Cornish landscape, which drew me towards watercolour in particular, a medium that I had only lightly dabbled in before. Those early paintings were tight and controlled, but as my confidence developed, I was able to ‘let go’, enjoying the serendipity of watercolour, allowing the paint to move and blend in often unanticipated ways. I am happiest expressing myself in a fast, loose style that sometimes veers towards abstraction and captures the immediacy and movement of my surroundings.
