The Ukrainian city of Odessa is enjoying something of a Jewish renaissance, as the opening of the former Soviet Union’s first kosher drinking den in the city testifies. The succinctly named Kosher Bar opened in the cosmopolitan city’s port area in August. Its look is sleek and modern, with a zigzag marble counter and smart sofas with a patio and dance floor. The music ranges from Israeli dance rock to mournful Hassidic tunes.
The cocktails are named after famous local Jews. Try a Sholem Aleichem – a playful fruity concoction of tequila, pineapple juice, lemon and syrup – in honour of the famed Yiddish writer. Or a Meir Dizengoff – an azure gin froth-topped cocktail designed to evoke the shores of the eastern Mediterranean, in memory of the first mayor of Tel Aviv who spent his formative years in Odessa.
While it’s true that Odessa was already home to several kosher restaurants that serve kosher-certified alcohol, a bar with its own signature house drinks that is completely kosher has never existed before in the former Soviet Union, according to the Ukrainian-Israeli businessman behind Kosher Bar.
And, some might say, for good reason. Having to import many ingredients from Israel pushes up costs, making a drink here unaffordable for many. And closing on Shabbat means the bar can’t cash in on some of the most profitable weekend trading hours, while Passover dietary laws affect the types of drink the bar can serve during the popular spring holiday period.
While Kosher Bar may be Odessa’s first… well… kosher bar, the city’s contemporary wining and dining scene has been attracting plaudits in recent years, including for its trendy Jewish cuisine. Try Dizyngoff – or Dizzy to its regulars – named after that mayor again, a hipster Israeli-Parisian-Asian fusion restaurant located not far from Kosher Bar and close to the city’s famous Potemkin steps. The menu is heavily, although not exclusively, Israeli-influenced and original Jewish-themed cocktails feature again. Anyone for a Damascus Gate or Purim Spiel?
The founders of establishments in this new wave of Jewish bars and restaurants are part of a generation of western-educated Odessans who are coming back to the city after living abroad. Kosher Bar’s owner is a Ukrainian-Israeli businessman based in Jerusalem. His family immigrated to Israel from Odessa when he was a child. One of Dizyngoff’s founders studied hotel management and culinary arts in Switzerland and France, completing her studies at the Ecole Gregoire-Ferrandi in Paris.
“Deep inside of ourselves, figuratively speaking, we consider ourselves to be Orthodox Jewish hipsters. The Orthodox have an answer to every question in life, they are the happiest people you will ever meet,” another of the restaurant’s owners told Tablet in an interview soon after the restaurant opened in 2016.
Odessa has long been considered the cradle of Israeli culture, and now Israeli culture is returning to Odessa. Long before the State of Israel was founded, the Jewish community in Odessa raised money to buy the land where the city of Tel Aviv was established. And the Ukrainian city’s geography formed a partial blueprint for Tel Aviv’s town planning.
With a Jewish population of close to 200,000 – about a third of the city’s total – before World War II Odessa was one of Eastern Europe’s most prominent Jewish cities and a cultural hub. It was here that modern Hebrew was born in the poems of Shaul Tchernichovsky. Also born in Odessa were essayist and Zionist intellectual Ahad Ha’am and Israeli national poet Haim Nahman Bialik.
The Jewish population is down to under 50,000 now, mostly secular and from mixed families. But signs of the city’s Jewish past are everywhere. Jewish staples like forshmak and tzimmes feature on the menus of Odessa’s historical and upmarket restaurants, even though the waiters often know nothing about the origins of these dishes. Visiting Odessa back in 2005, my father and I dined on blintzes and knishes, evoking memories of my Ukrainian grandmother’s home cooking.
Today a robust tourist trade between Ukraine and Israel is developing as growing numbers of visitors from both countries take advantage of visa-free travel. Cultural exchanges have become common, with Odessa hosting numerous Israeli events and an Israeli cinema week. And Jewish religious life in Odessa is also undergoing something of a revival too, with its Brodsky synagogue – once the largest in the south of the Russian Empire – returned to the Jewish community a few years ago after a century of state ownership.
Like most people, until recently I had never heard of Rhea Clyman. But now that I have, I stand and applaud her. Her story deserves to be more widely known.
Clyman was a young Canadian journalist who broke through so many boundaries of her age. Born in 1904 in Poland to a poor Jewish family, she and her family emigrated to Toronto two years later. Here she lost part of her leg in a road accident as a young child. Forced to leave school after her father’s early death to help support her family, she worked as a child labourer in a factory, but refused to let poverty and disability stand in her way. She augmented her meagre schooling by teaching herself in the hope of one day becoming a journalist – in itself an unusual career for a girl at that time, let alone one of her background.
In the 1920s she moved from Canada to New York and then to London, Paris and Berlin, where she witnessed and reported on the rise of Hitler. In 1928, aged just 24, she headed east again, to Moscow, where she learnt Russian and began working as a freelance reporter for the Daily Express in London and the Toronto Evening Telegram. She lived with a Russian family and travelled unaccompanied, experiencing the hazards of daily life under Stalin. Her travels took her north to see first hand the labour camps of Karelia. Her Russian boyfriend had been arrested and sent to Siberia for dealing in foreign currency.
On a three-week road trip through Ukraine in 1932, Clyman witnessed and exposed one of the most shameful events of the 20th century, the deliberate mass starvation of millions of Soviet citizens in Ukraine, an event now commemorated as the Holodomor. While other foreign journalists reported on the famine, few saw what Clyman had seen, for most were only able to visit the areas affected by the famine as part of an organised group whose experiences were limited to what the regime allowed them to see.
Clyman wrote of seeing starving peasants on the streets of Kharkiv, where children were eating grass to stay alive and thousands were executed as punishment for the theft of a few ears of corn. On the same trip, she drove through the Donbas region of eastern Ukraine, where today the war between Ukrainian troops and Russian separatists lingers on, reporting on the tough conditions suffered by miners and their families.
Eventually she reached Tbilisi, Georgia, where the secret police were waiting for her. Clyman was arrested by the OGPU – a precursor to the KGB – accused of spreading disinformation (what today we would label Fake News) and forced to leave the Soviet Union. News of her expulsion was carried by hundreds of newspapers around the world.
The Soviet authorities denied the existence of the famine, and it is thanks to foreign journalists like Clyman that the Holodomor became public. It is impossible to accurately gauge how many people died of starvation in central and eastern Ukraine in 1932-33, but historians estimate the figure was between 3 and 10 million, and the Holodomor is widely recognised as genocide and a crime against humanity.
From London, Clyman continued to publish articles about her trip through what she described as the “Famine lands of Russia” and the atrocities of Stalin’s dictatorship until departing once again for Germany to report on the rise of Hitler and the start of World War II. As a Jew writing about Nazi anti-Semitism, it was too dangerous for Clyman to remain in Germany. She escaped to Amsterdam by plane with a group of refugees, surviving a deadly air crash in the process. The rest of her career was spent in Montreal and New York, where she died in 1981.
Rhea Clyman is now the subject of a film, Hunger for Truth. Watch a trailer here https://vimeo.com/ondemand/hungerfortruth
And her story will soon feature in a book by Jars Balan, director of the Canadian Institute of Ukrainian Studies at the University of Alberta.
I have just watched a fascinating little documentary about Fania Brantovskaya, now in her 90s, who conducts walking tours of old Jewish Vilnius (Vilna) in Yiddish.
Listening to her speak I was vividly reminded of my own grandmother, Pearl, and the recordings my father made of her talking about her life back in Russia. Fania’s intonation, the cadence of her language, mirror almost exactly my grandmother’s speech.
Fania was born in 1922. She had just started university in 1941 when the Nazis occupied Vilna. She tells how two Lithuanian policemen knocked on her door at 6am on 6 September and told her family they had to move into the ghetto, giving them just half an hour to pack.
Fania lived with her parents and sister in a crowded apartment shared with four other families. She points out their three windows, on the middle floor of a large three-storey building. Fania guides us past the hospital, school, theatre and library that continued to function within the ghetto walls. Indeed, the Vilna ghetto was known as the Jerusalem of the ghettos for its intellectual and cultural richness. But death was never far away, with regular deportations from the ghetto to Ponary, now Paneriai, a suburb of Vilnius, where tens of thousands of Jews were murdered.
Fania’s father changed her birth date to make her appear four years younger than she actually was, enabling her to avoid the call up to work in the Nazis’ forced labour camps. Instead she joined the United Partisan Organisation that was formed in the ghetto in January 1942 by the poet Abba Kovner, among others, as a means of Jewish self-defence and to sabotage German industrial and military activity.
The partisans smuggled arms, food and medicine, and found ever more ingenious ways of doing so. Chimney sweeps carried guns in false-bottomed cases, while wounded men and women hid supplies in their bandages. Fania worked as a messenger, using the slogan “Lisa is calling,” in honour of a partisan who had died early during the resistance.
After more than two years in the ghetto’s stifling narrow streets, in September 1943 Fania managed to escape to join other partisans living in the forest a two-day march away. She couldn’t have known at the time, but her escape was to precede the liquidation of the ghetto by just a few hours. Fania never saw her family again. They were divided up and taken to different concentration camps across the area, where they perished.
From September 1943 until the end of the war, Fania lived in the forest, where she and her fellow partisans continued their struggle against the Nazis and their local collaborators. They lived in tents and underground shelters dug from the earth, with walls of wooden planks and foliage pulled over for cover, sleeping on pieces of wood covered with spruce branches. They had very little to eat, surviving mostly on grain flour donated by local people and hot water. Some locals would willingly give them food, she says, but others would not. Nevertheless, after two years in the ghetto, Fania says, the forest made her feel like a human being again.
Today Fania works as a librarian at the Yiddish Institute in Vilnius, where she created a collection of Yiddish books. She leads walking tours of the city of her youth, keeping alive the language and memory of her family and the tens of thousands of other Vilna Jews murdered at Ponary and elsewhere.
Fania is one of just two or three thousand Jews living in Vilnius today, a city that had been a major Jewish population centre for over four hundred years. Around 70,000 Jews were resident there by 1941, close to half the city’s population. Through much of its history, Vilna was a hub of Jewish culture and learning. The definitive edition of the Talmud was printed on the Vilna presses, the famous Talmudist Elijah ben Shlomo Zalman—known as the Vilna Gaon—was one of the most authoritative Jewish scholars since the Middle Ages. And YIVO, an organisation dedicated to the study of Yiddish life and language, was founded in Vilna.
After the war, Vilnius became part of the USSR, as capital of the Lithuanian Soviet Socialist Republic. I visited in 1989, shortly before Lithuania finally gained lasting independence. Even in Soviet times, the city had a lively and attractive air, but it has changed a lot since then--the historic centre has been restored and a buzzing arts and entertainment culture has taken root. It must be time for a return visit, before Fania and her walking tours are no more.
The documentary, by Edita Mildazyte, can be viewed here:
The tiny settlement of Anatevka is a pretty interesting place. Located just outside the Ukrainian capital Kiev (Kyiv), it is a rare example of a modern-day shtetl, built for Jewish refugees fleeing the war in Eastern Ukraine. It’s also an attempt to revive the Jewish communities and way of life that existed in these parts before they were torn apart by pogroms and, later World War II.
If the settlement’s name sounds familiar, that’s because Anatevka was also the fictional home of the iconic Yiddish writer Sholem Aleichem’s most famous character – Tevye the Dairyman in Fiddler on the Roof. Bizarrely Anatevka has become interesting for another reason too: it is playing an unlikely role in the impeachment story of President Donald Trump.
Anatevka was founded in 2015 by Rabbi Moshe Azman of Kiev, a large burly man with a bushy beard, and an ardent Trump supporter. In its early days, the nascent village was built almost entirely of wood, as so many Eastern European shtetls were, with a three-storey wooden synagogue including two mikvahs (ritual baths), a residential block with 20 apartments and a shared kitchen. A brick-built school, apartments, a clinic and an orphanage soon followed.
The facilities are built largely by local residents – builders, carpenters and tradespeople who were forced out of their homes by gunfire, rockets and bombing in cities like Donetsk, Lugansk and Mariupol – who earn a small salary for their work. Those without building skills take on other roles like preparing food, working in the school or looking after the synagogue.
Rabbi Azman used his own money and funds raised from private donors to create not just a refugee centre but a living, breathing community based on Yiddishkeit and self-reliance – a spiritual as well as physical revival of the shtetl. The village continues to rely on donations, mostly from the US. “I’m in debt to my eyeballs, but I’m not afraid because this is God’s mission. Besides, each day that Anatevka is running is another day that my community lives in dignity. Builds a future. You can’t put a price tag on that,” Azman told The Times of Israel in 2016.
Around 30 families now live in Anatevka, and some 200 pupils attend school there, the majority from Azman’s old community in Kiev. A high fence surrounds the village and entrance is through a brown, metal gate with military guards.
Not everyone here is a practising Jew, indeed several are not Jewish at all but have a Jewish wife or husband. The majority of Jews who fled Eastern Ukraine are secular. “We don’t force anyone to become a practising Jew,” Azman says. But there are rules people must obey if they want to live in Anatevka. In public, all residents must respect the Sabbath and dress modestly, although behind closed doors they are permitted to do as they like.
So how did this tiny Jewish community become embroiled in a political scandal half way across the world? Bizarrely, Anatevka’s honorary mayor is none other than embattled Trump lawyer Rudolph Giuliani. The settlement found itself at the centre of an aborted effort to get the former mayor of New York to come to Ukraine in May for a meeting with Volodymyr Zelensky, then the president-elect, whom he planned to push for investigations that would help President Donald Trump politically.
Giuliani’s associates Lev Parnas and Igor Fruman are board members of the American Friends of Anatevka, a charity raising funds for the village. They allegedly introduced Giuliani to several Ukrainian officials as part of a pressure campaign to convince Ukraine to investigate Hunter Biden, the son of former vice-president and 2020 presidential candidate Joe Biden. Parnas and Fruman stand accused of funnelling money, much of it allegedly of foreign origin, into Republican campaigns in the US. Both pleaded not guilty on 23 October to four counts of campaign finance violations in a federal court in New York City and are now awaiting trial.
I have written before about the revival of the Yiddish language, in particular in the US where a hit Yiddish production of Fiddler on the Roof is currently running in New York.
But many will be surprised to learn that Yiddish lives on in parts of Eastern Europe too, in a few isolated communities that survived the Holocaust and its destruction of a once vibrant Jewish culture.
A group of linguists and historians from Indiana University spent seven years from 2002-2009 interviewing nearly 400 elderly Yiddish speakers across rural Ukraine, Moldova, Romania, Hungary, and Slovakia and documented their journeys in photographs and video. They named their project AHEYM meaning “homeward” in Yiddish, and doubling up as an acronym for “Archives of Historical and Ethnographic Yiddish Memories.” In subsequent years AHEYM expanded its work into Latvia and Poland.
The project is led by linguist Dov-Ber Kerler and historian Jeffrey Veidlinger and explores Jewish life in Eastern Europe before, during and after World War II. The interviews cover a range of topics, including family and religious life, community structure, cultural activities and recreation, education, health, food and folklore, as well, of course, as harrowing tales of Holocaust survival and life under the Communist regime. They include musical performances, anecdotes, jokes and folk remedies. Some present guided tours of local sites of Jewish memory.
These testimonies bring to life the story of those Jews who stayed behind. The interviewees were mostly born between 1900 and 1930 – they would have grown up in the shtetls of Eastern Europe and not only survived the Holocaust, but rebuilt their lives in the very places where some of the most horrific events of the 20th century occurred.
The majority of Jews who survived the war in Eastern Europe soon abandoned the shtetl and the Yiddish language, following the call of the metropolis or a life abroad, where they lost many of the local customs and practices that had defined Jewish identity in the shtetl.
But a small number of Jews came back to these small communities after the war. Some returned after evacuation – often to a different town from the one they had left, others came out of hiding. Some literally crawled out of mass graves to reclaim their lives.
The AHEYM team has catalogued, annotated, and translated into English nearly 800 hours of videotaped interviews in Yiddish with such survivors. The recordings are preserved at Indiana University’s Archives of Traditional Music and form part of the EVIA Digital Archive Project.
Most of the video clips lack English subtitles, but even as a non-Yiddish speaker I found them addictive. I can’t understand much of the content, but I recognise the accents and the cadence of the language. They recall the recordings I have of my own grandmother telling stories similar to many of those in the AHEYM archive. Some of the videos are funny, some are strange and of course, some are chillingly harrowing.
“When they called us here for work, how could we have imagined that they would murder us?” remembers an old man near Berdichev. “My mother asked me to watch the bread while she went to work. That’s what saved my life and that’s why I bake bread every day, in honour of my mother who kept me alive with her request.”
Visit the AHEYM website for more information: http://www.iu.edu/~aheym/index.php
A selection of the videos is available on the AHEYM Facebook page
And a full list of the recordings can be found here http://eviada.webhost.iu.edu/atm-subcollections.cfm?sID=69&pID=162
I have written before about the revival of the Yiddish language and was interested to read about a Yiddish version of Fiddler on the Roof that has taken New York by storm.
A Fidler afn Dakh, as it is called, opened last year at the Museum of Jewish Heritage before moving to a large, commercial theatre, Stage 42, in February. The Yiddish production comes more than half a century after the musical first opened on Broadway in 1964. It would become the longest-running musical in Broadway history, as well as a blockbuster film.
It is the authenticity of the latest production that has wowed critics and audiences and makes the show so moving. Yiddish is, of course, the language that the fictional dairyman Tevye and his neighbours would have spoken. Fiddler is based on a series of short stories by Sholem Aleichem set in Anatevka, a fictional shtetl near Kiev in present day Ukraine.
My family, too, came from a shtetl near Kiev and in fact my great-grandmother and great-great-grandmother once met the famous Yiddish writer during a holiday at a country dacha. In the course of this meeting, they discovered that they were related. The family name on both sides was Rabinovitch, although I have never actually managed to put my finger on the branch of our family tree that links me to Sholem Aleichem.
Yiddish was once spoken by around 12 million people and transcended national boundaries. But the language was almost wiped out by the holocaust. Almost...but not quite. Jewish immigrants to America brought Yiddish with them and plays in Yiddish were common in New York in the late 19th and early 20th centuries. There was even a Yiddish theatre district in Manhattan’s Lower East Side. But you might think that the potential audience for a Yiddish production of Fiddler today would be pretty limited.
The show’s director, Joel Grey, told the Financial Times, “I thought it was kind of crazy, that six people would understand it”. Only six out of a cast of 29 spoke any Yiddish at the outset, three of them being native speakers.
However, anyone already familiar with other stage or screen versions will be able to understand much of the production even without knowing Yiddish, and it has English and Russian surtitles to help the uninitiated.
But for those who grew up surrounded by Yiddish, the production is likely to strike a particularly deep emotional chord. “For me, it’s not just the fusillade of familiar words and phrases: meshuga, geklempt, zay gezunt. It is the sound of my own grandparents and all that they lost in leaving their Anatevkas,” wrote Jesse Green in The New York Times.
Yiddish was the language of the mundane, the every-day. It was the ‘mame-loshn’, or mother tongue, as opposed to ‘loshn-koydesh’, or holy tongue, meaning Hebrew. Grey calls it “the language of the outcast”. Much of the Jewish intelligentsia quickly abandoned the language on arrival in the West in order to assimilate. Yiddish represented the poverty and persecution of the world they had left behind.
Also helping the authenticity of the piece is its simplicity. The big Broadway show style is stripped away in favour of a greater emphasis on the simple human choices and everyday trials and emotions of the struggle to preserve Jewish traditions in an era of ever greater assimilation and persecution. The production “though not without its comic moments, is suffused with a hauntingly melancholic aura that seems to foretell the annihilation of the world depicted on stage,” writes Max McGuinness in the FT.
For more information, the production’s website can be found at http://fiddlernyc.com/#home.
The Financial Times article about it is available here https://www.ft.com/content/f38136ee-cef6-11e9-b018-ca4456540ea6
And The New York Times review here https://www.nytimes.com/2018/07/17/theater/review-yiddish-fiddler-on-the-roof.html
Back in March 2018 I wrote a blog post about the origin of Jewish surnames in the Russian Empire. I recently came across as series of articles about surnames that covers other parts of the Jewish world too.
Across much of central eastern Europe, surnames became commonly used from the late 18th century with the first of a series of laws that required the population of the Austro-Hungarian empire to adopt hereditary names. One of several decrees issued by emperor Joseph II, who ruled from 1765-1790, stated that new hereditary names should be German, which helps to explain why so many eastern European Jews have German-sounding names.
But not all Jews were subjects of the Austro-Hungarian empire, and not all those who were obeyed the decree. For example, those descended from the priestly groups Cohen and Levi often noted this status in their surname, helping to make these some of the most common Jewish names today.
Before the late 18th century, the only Ashkenazi Jews that had adopted surnames were those belonging to certain rabbinical dynasties. For the rest of us, our ancestors would have been known by their name and patronymic, their father’s name, as in Abraham ben Moses or Nathan ben Israel. Indeed, Jews are still referred to in this way in the synagogue, at weddings and in prayers.
But among the Sephardic community, Jewish surnames go back much further. They started to proliferate after the Spanish Inquisition and the expulsion of Jews in 1492. Many chose to adopt a name to help recall the places their families had left, or local landmarks and places, and passed these onto subsequent generations.
Below is a list common Jewish surnames and their origins, which fall into a number of categories. I was particularly interested to discover that my own family name, Cooper, is a form of the Yiddish nickname Yankel, meaning Jacob.
Variations on the name Abraham, including Abramovich, Avraham and Abrahams, are patronymics recalling ancestors named after the first patriarch Abraham. Jacobs and its numerous variations including Jacob, Jacobson, Jacoby, Judah, Idelsohn, Udell and Yudelson are patronyms from the Hebrew name Jacob, the third patriarch of the Jewish people. And Benjamin and Binyamin recall ancestors named after the Benjamin, the son of Jacob and Abraham’s great grandson, who founded one of the 12 tribes of Israel. Another Biblical patronymic is Isaacs or Itkowitz, meaning son of Isaac.
The patronymic name Baruch comes from an ancestor named Baruch, meaning blessing in Hebrew. Perez or Peretz is another common patronymic name derived from the Hebrew name Peretz. Manishewitz, meaning son of Menashe, refers to the grandson of the patriarch Jacob who founded one of the 12 tribes of Israel. Mendelsohn and its variation Mendelovich mean son of Mendel, a variant of the Hebrew name Menachem, which means comforter, and a popular Yiddish name. In German-speaking areas, the suffix -son or -sohn was added to some names to denote ‘son of’. The suffix -ovich means the same in Russian. Kessler (also Kesel and Kesl) are thought to be a patronymic meaning son of Kesl, but may also can refer to a kestler, a Yiddish term for a married man who lives with his in-laws – a common practice among Ashkenazi families – or to a coppersmith.
Many Jewish surnames are derived from matronyms, the that is the name of the mother rather than the father. Dvorkin and its variants including Dworin, Dwarkin and Dvarkin come from the Jewish name Devorah, meaning bee. In Biblical times, Devorah was a famed prophetess and leader who orchestrated Israel’s victory over the tyrannical Canaanite oppressors. Blum comes from the name Bluma, meaning flower in Yiddish, while Malkin, Milliken, Milken and Miliken are all matronymics of Malka, which means queen in Hebrew.
Eidel and its variants Edel and Adel is derived from the Yiddish name Eidel meaning gentle or sweet. One of the first known Jews with the name Eidel was the Polish Rabbi Shmuel Eidel (1555-1631). His mother-in-law Eidel Lifschitz was a businesswoman who financially supported the yeshiva he ran for over twenty years, and he appears to have taken her name as a surname in tribute. And Margolis, Margalis and Margulis, meaning pearl in Hebrew, are derived from Margolit, the wife of the 15th century Rabbi Jacob of Nurenberg, whose descendants included many prominent religious scholars. Margolis is a more common spelling among Lithuanian Jews, while Margulis is favoured among Jews from Poland and Ukraine.
While some of these are self-explanatory – Berlin referring to someone with origins in the German city, for example, and Epstein from the town of Eppstein in the German province of Hesse – many are less obvious or have additional meanings. For example, Berlin and Berliner may also be a patronymic of the name Berl, while Epstein is one of the earliest Jewish surnames – the earliest written mention of Epstein as a Jewish name comes from 1392 – and commemorated a prestigious rabbinical dynasty.
Ash and Asch are a shortened version of various European towns and could refer to Aisenshtadt (Eisenstadt in modern day Austria) or Amsterdam, among others. Eisenstadt means iron town in German and is the capital of the Austrian province of Burgenland. Goldberg meaning golden town, refers to the town of Goldberg in Germany or Złotoryja/Goldberg in Poland, both once home to Jewish communities. Warshavsky and Warshauer both denote a family from Warsaw, while Wiener, Wein and Weinberg indicate someone from Vienna. Wallach can refer to someone from the German town of Wallach, but may also refer to the middle high German word walhe, which means a foreigner from a Romance country. This name is likely to have been given to Jews who migrated to Germany from Italy, or the Papal states. Similarly, Bloch or Block is derived from the old Polish word wloch, which originally meant foreigner and became a common way to refer to migrants from Italy, which had a thriving Jewish population in the Middle Ages. Montefiore is a common name originally referring to someone from the Montefiore region of Italy.
Gordon can refer to the town of Grodno in Lithuania, but may also reference the Russian word gorodin meaning a town-dweller. With its easy pronunciation and non-Jewish connotations – Gordon is also a common Scottish surname – it was a popular choice among Jewish immigrants to America and the UK. Berger and Berg are common names referencing the type of place that a family came from – Berg meaning a hilly or mountainous place, while Berger often referred to someone from a town (burgh in German).
Navaro and Navarro are Jewish surnames denoting someone from the Navarre kingdom of Spain before the expulsion of Jews in 1492. Many of those forced to flee adopted names to remind them of their homeland. Other names of this type include Spinoza, referring to the Spanish town of Espinosa.
Kirghiz is a Turkish Jewish name related to the town of Kagizman in eastern Turkey. Interestingly, this was the maiden name of the singer Bob Dylan’s grandmother (Dylan himself was born Robert Zimmerman).
Many Jewish surnames, both Ashkenazi and Sephardi, reference professions. An interesting example from North Africa is Abecassis and its variations Abiksis, Abucassis and Cassis, which incorporates a variant of the prefix Abu, meaning father of, and cassis, which means storyteller in Arabic. In past generation, a cassis was considered a profession and many North African Jews engaged in this job and adopted the surname of their profession.
Surnames denoting professions have their origins in many different languages. From the German we derive Bauman, meaning builder, and Nagler, which comes from nagal, the old German word for nail. It referred to a builder or someone who made or sold nails. The Polish equivalent is Plotnick or Plotnik, also meaning builder. Goldschmidt means goldsmith in German, while Shnitzer and Schnitzer come from the German for carver. Zuckerman – from zucker, the German word for sugar – refers to a dealer in sugar or confectionary, but was also adopted by some Jewish families because of its pleasant connotations, which made it an attractive surname.
Some Jewish surnames derive from the Yiddish name for occupations, such as Fishman, meaning fish-seller. Fingerhut comes from the Yiddish word for thimble, and refers to a tailor. Garfinkel or Garfunkel was probably adopted by families in the jewellery business. The name derives from the Yiddish word gorfinkl (karfunkel in German) which literally means a carbuncle, but in the past was also was used to refer to red precious stones such as rubies and garnets.
In the Sephardic community, Elkayim is a Middle Eastern Jewish surname meaning tentmaker. Teboul and its numerous variations including Toubol, Touboul, Tovel and Abitbol is a popular Sephardic name indicating ancestors that may have been musicians. It derives from the Arabic tabell, a type of drum.
Among German-speaking Jews, it was popular to choose names reflecting beautiful gems or precious metals, such as Diamond and Gold. Similarly, Goldman was a popular choice among Austrian Jews for its connotation of gold and man. Eisen, meaning iron, was another popular choice for Austrian Jews. Colours were popular too, in particular Blau, meaning blue.
Rosenberg – literally mountain of roses – was adopted by many Jewish families because of its beauty and evocative nature. Likewise, Rosenthal, meaning valley of roses in German, was a popular choice, in particular in the area around Minsk in present-day Belarus, where many Russian Jews favoured beautiful and symbolic Germanic names. Another popular name in the same area was Silverstein or Silberstein, meaning silver stone in German.
Human or physical qualities:
Several Jewish surnames were bestowed to reflect the physical characteristics or human qualities of their holders. Ehrlich, for example, was used in the Austro-Hungarian empire to denote a person who is honest. Friedman was a popular Jewish surname from the 1600s, deriving from the old Germanic word fried, meaning peace. Literally a man of peace, Friedman was used to refer to a holy person or a friend. Fogel derives from the old German word fugal meaning bird, which was used as a term of endearment. Hart or Heart is from the Germanic word hart, meaning a stag or deer, which may have symbolic connotations.
Zadok and related names including Sadoc, Zadoq, Acencadoque, Aben Cadoc and Sadox are variations of the Hebrew word tzedek, meaning justice and righteous, and commonly used as surnames in Sephardic communities. Another Sephardic name, this time relating to physical appearance is Bouskila, which is derived from the Arabic word shakila, which was a distinguishing cloth, usually red and white, worn by Jews in North Africa in Medieval times. The prefix bou- or bu- means father of, and the name refers to someone who used to wear this distinctive Jewish outfit.
Ashkenazi surnames relating to Physical characteristics include Gelb and Geller, which both mean yellow in Yiddish, and were often given to people with fair or even reddish hair.
This blog post is based on an article on aish.com. To read the full article, click here www.aish.com/jw/s/The-Meaning-of-Some-More-Jewish-Last-Names.html
Last Saturday, 13 July, marked the 125th anniversary of the birth of the Odessan writer journalist and playwright Isaac Babel. The event may not have been cause for much celebration, but it was fittingly marked with an article in the Moscow Times and gives me an excuse to write again about this doyen of twentieth century Russian literature.
Born in 1894 to a middle-class Jewish family in Odessa, present-day Ukraine, Babel was best known for his collection of Red Cavalry stories, drawn from his personal experience as a journalist with the Red Army in 1920, and his Odessa stories, featuring characters from his hometown, including the legendary gangster Benya Krik. It has been said that, “To read Babel is to experience the wild and often terrifying swings of Russian history”.
Babel has also been called "the greatest prose writer of Russian Jewry" and is considered one of the luminaries of 20th-century Soviet literature.
Babel’s career was supported by his friendship with the Russian Revolution’s leading literary light, Maxim Gorky. Babel moved from Odessa before the revolution to St Petersburg, where he lived illegally (as a Jew, he was restricted to the Pale of Settlement in the southwest of the country) to be close to Gorky, who began mentoring him in 1916 and published his early works in a literary magazine. The two would remain friends until Gorky’s death in 1936.
Indeed, it was Gorky who urged Babel to become a journalist to gain more life experience in order to inform his writing, prompting him to enlist in the Soviet army as a war correspondent and propagandist. He was assigned to an army division in the Polish-Soviet War of 1920, where he witnessed scenes of horrific brutality, some of which would become the basis for his Red Cavalry stories.
Observers have said the book’s depictions of violence contrasted jarringly with Babel’s gentle nature. His honest, explicit description of war diverged heavily from revolutionary propaganda and was the first exposure many Russian readers had to the realities of the war.
After the war, Babel returned to Odessa, where he began work on a series of short stories that were later published as the Odessa Tales. The stories, narrated by an ironic version of Babel himself, describe the life of Jewish gangsters in an Odessa ghetto around the time of the October Revolution. The character of Benya Krik, has been referred to as one of the great anti-heroes of Russian literature.
Babel wrote that Odessa was ‘the most charming city of the Russian Empire…a town in which you can live free and easy. Half the population is made up of Jews, and Jews are a people who have learned a few simple truths along the way…you might not be able to budge these Jews from their opinions but there’s a whole lot you can learn from them. To a large extent it is because of them that Odessa has this light and easy atmosphere.’
In the 1930s, Babel increasingly withdrew from public life as Stalin applied pressure on the Soviet intelligentsia. By the end of the decade he had fallen victim to Stalin’s purges. He was arrested in 1939 by the NKVD, a precursor to the KGB, on fabricated espionage and terrorism charges and taken to the infamous Lubyanka prison, the headquarters of the secret police in Moscow. His papers were confiscated and destroyed, among them half-completed stories, plays, filmscripts and translations. Babel was shot by firing squad in January 1940 following a brief, clandestine trial. His name and work were erased until 1954, when he was rehabilitated during Soviet premier Nikita Khrushchev’s ‘thaw’.
I have both read and written a lot about the pogroms in Ukraine, which were at their peak a hundred years ago. Like Holocaust literature, the more one reads, the more one ceases to be shocked and horrified. I thought that reading about the pogroms would no longer have the searing impact on me that it once did, but I have found that a new book published this month still has the ability to sicken.
The work, by Nokhem Shtif, was first published in Yiddish 1923, but now appears in English for the first time translated and annotated by Maurice Wolfthal as The Pogroms in Ukraine, 1918-19: Prelude to the Holocaust. Shtif was editor-in-chief of the editorial committee for the collection and publication of documents on the Ukrainian pogroms, which was founded in Kiev in May 1919.
Shtif focuses specifically on atrocities committed by the Volunteer Army, also known as the White Army, under General Anton Denikin, as opposed to the myriad other armies and militarised groups – banda as my grandmother called them – that were rampaging violently across Ukraine at the time.
The number of Jews murdered in Ukraine in the aftermath of the Russian Revolution is estimated at anywhere between 50,000 and 200,000, with up to 1.6 million injured, attacked, raped, robbed, or made homeless in the largest outbreak of anti-Jewish violence before the Holocaust. The number of individual pogroms is estimated at more than 1,200.
“The Jews were attacked by a number of different groups of perpetrators including Anton Denikin’s Russian Volunteer Army, Simon Petliura’s Army of the Ukrainian Republic, various peasant units, hoodlums, anarchists, and the Bolshevik Red Army.
“These attacks stemmed from a number of grievances: accusations of supporting the enemy side, the chaos following the collapse of the old order, the aftermath of World War I and of the Russian Revolution, and a widespread anti-Semitism, after the dissolution of the Russian and Habsburg Empire.” So writes the Berlin-based historian Grzegorz Rossolinski-Liebe in his preface to the book.
The relative lack of literature and research on these events provides some explanation for why the Ukrainian pogroms have garnered so much less attention than the Holocaust that followed some 20 years later. Of the research that does exist, much focuses on the nationalist leader Petliura, the subject of my December 2018 blog post.
When it comes to Denikin, “the crimes committed by his army have not been forgotten but they were neither investigated as thoroughly as the massacres by the Petliura army nor did they arouse any major controversies, because none tried to systematically or deliberately deny them as the Ukrainian nationalists did in the case of Petliura’s soldiers”, Rossolinski-Liebe argues.
But Denikin’s army was unique among the banda in that it murdered Jews in an orderly and methodical way, clearing out the Jewish population from the towns and villages it raided using many of the practices that would be adopted by the Nazis two decades later. The author’s aim is to demonstrate that the pogroms were an integral part of the Volunteer Army’s military campaign, much as the murder of the Jews was for the Nazi regime.
The Volunteer Army was a force made up of former Tsarist officers that aimed to drive out the Bolshevik regime and restore every aspect of Russia to its pre-Revolutionary days. Their aims, as Shtif says were, “The land must be returned to the aristocracy. The labor movement must be crushed […] Jews will continue to be second-class citizens, oppressed and subservient.” Pogroms were a way of preventing Jews from gaining the equal human rights that the revolution had granted them.
Shtif is convincing in his explanation of the causes of the pogroms: “For the reactionaries pogroms are a way to prevent Jews from obtaining equal rights, which the hated Revolution granted them. Pogroms are the first step towards reducing them to a state of slavery. That principle […] is at the root of the pogroms. In the eyes of reactionaries Jews are creatures without rights. And as soon as anyone dares to give them their rights, they are outraged and they burn to put the crown back on the head of perverted justice. In the eyes of reactionaries, of course, Jews have no rights.”
In describing the events of the pogroms, I feel traumatised yet again knowing that my grandmother and her family lived through and survived such terrifying times. So much of what Shtif writes corroborates what my grandmother said about the pogroms, and the many different banda that perpetrated them. The towns my great-grandparents came from – Pavoloch and Makarov – both in Kiev province, receive several mentions in the book, each one sending shivers down my spine. “So horrendous are the accounts that they are difficult to grasp,” Shtif writes…. “There are no words…”
It often feels in these troubling times of the early 21st century that swaths of the population in many parts of the world are returning to the extreme nationalism that pervaded a century ago. We seem to be revisiting that world of religious extremism, with murderous attacks on immigrant communities and a US president who vilifies those of other faiths and nationalities. We would be well served to learn lessons from the past and prevent the current polarisation of society from leading once again to the kind of mass violence that tore Ukraine apart a hundred years ago.
The Pogroms in Ukraine, 1918-19: Prelude to the Holocaust is published by Open Book Publishers
I’ve had a copy of Vasily Grossman’s Life and Fate taunting me from my bookshelf for several years. I’ve been meaning to read it, really meaning to, ever since my Dad gave it to me. But at nearly 900 pages, somehow I’ve never found the time.
I have read other, less hefty, works by Grossman in the meantime, and have found them fascinating. Now a new biography of the writer by Alexandra Popoff, a former Moscow-based journalist now based in Canada, is finally goading me into action and I plan to devote the coming summer to finally reading Life and Fate.
Grossman is an intriguing character, a celebrated Soviet writer who later turned against the regime. His conscience forced him into the tormented double life of a Soviet intellectual, trying to express his doubts about the Soviet system in ways that would not lead to his arrest.
Life and Fate, however, was an incendiary work by Soviet standards. A panoply of characters and sub-plots centred around the events of World War II, it is often compared with Leo Tolstoy’s monumental War and Peace, which shares a similar structure based on an earlier war – Napoleon’s unsuccessful Russia campaign. But what made it so controversial to the Soviet censors is its comparison of the USSR with Nazi Germany and Stalin’s persecution of the Jews with Hitler’s holocaust.
Mikhail Suslov, the chief Communist party ideologue, told Grossman, “Your book contains direct parallels between us and Hitlerism…Your book defends Trotsky. Your book is filled with doubts about the legitimacy of our Soviet system.” Its publication was out of the question.
Grossman was born in 1905 to a Jewish family in Berdichev, Ukraine, a town with one of Europe’s largest Jewish populations. His early novels, published in the 1930s, were mostly typical of Soviet literature at the time and Grossman was promoted by the regime’s most influential writer Maxim Gorky. But even then, some of his short stories were banned and he could be considered lucky for avoiding arrest during Stalin’s purges of the late 1930s.
During World War II, Grossman worked as a journalist for the army newspaper Red Star, reporting from the front line on the battle for Stalingrad and the fall of Berlin. He gained access to the Nazi death camp at Treblinka, near Warsaw, shortly after it was destroyed. This chilling experience formed the basis for his article ‘The Hell of Treblinka’, published in September 1944, which was one of the first accounts of the true horror of the Holocaust to reach the outside world.
In it he writes: “It is infinitely painful to read this. The reader must believe me when I say that it is equally hard to write it. ‘Why write about then?’ someone may well ask. ‘Why recall such things?’
“It is the writer’s duty to tell the terrible truth, and it is a reader’s civic duty to learn this truth. To turn away, to close one’s eyes and walk past is to insult the memory of those who have perished.”
Grossman completed Life and Fate in 1960, at a time when Soviet literature was enjoying a period of relative liberalism during the post-Stalin Khrushchev ‘thaw’. But like Boris Pasternak’s better-known work Doctor Zhivago, the novel could not be published in its homeland. Suslov told Grossman that there was no question of Life and Fate seeing the light of day for another 200 years.
Every copy of the manuscript was confiscated by the KGB in 1961, with orders to take not just the typewritten pages, but any sheets of used carbon paper and even the typewriter ribbons used to write it. It is thanks to the emigré dissident Vladimir Voinovich that the book made its way to the West on microfilm. The Russian text was published abroad in 1980 and in English five years later. Life and Fate was finally published in the Soviet Union in 1988, some 24 years after Grossman’s death.
In a couple of months or so I will write my own thoughts about the novel, once I’ve completed the monumental task of reading it.
Vasily Grossman and the Soviet Century by Alexandra Popoff is published by Yale University Press
Life and Fate by Vasily Grossman is published by Vintage Classics
One hundred years ago
2017 marked the centenary of the Russian Revolution, an event that heralded the country's 1918-21 Civil War and a period of terrible suffering for my family and others who lived through it. This blog began as an investigation of current events affecting Jews in Ukraine today and comparing them with historical events from a century ago. It is broadening to include personal experiences and my exploration into Ukrainian history as my research for a new book, set in the country, develops.